The series that I will keep for my portfolio will be 24 of my favourite/meaningful photos of the day. I am currently reviewing the contact sheet and will select the final 24 from 40 over the weekend.
I have uploaded the portraits and the Pride Makers on my website. I will include a few at the bottom of this blog.
I have used a lot of the skills that I have learned on Foundations in Photography with making and developing these photos. I am more aware of how ISO, shutter speed and aperture affect lighting, grain and depth of field. With some of the portraits I felt anxious and I didn’t check to make sure that I had all of what I wanted to include in the frame, at other times my anxiety wasnt so bad and it was clear that I took more time.
It wasnt the kind of environment where distractions could be avoided altogether, but the people I photographed were happy to move so that I could light them more effectively or get rid of the background distractions. This was something that got easier as the day progressed and I became aware of how people allow you to direct them once they have consented to their photo being taken.
On the whole I use Lightroom for my developing, and tend to only use Photoshop for clone and healing brush. The healing brush tool is really useful for those times when I have cloned complicated areas of clothing or sky where the cloned section has been lighter or darker than the surrounding area. Clone first, then find smooth toned area with some texture, use the Alt key to select the source, then smooth over the cloned area. The key for me was finding a textured area, as it prevents the healing brush from turning the cloned area into a smudge. That’s a new trick up my sleeve.
Developing portraits in Lightroom has become more intuitive as this process went on. The first thing that I realised was to set the exposure and tone curve for the main subject. Once I had got that right I could then use the adjustment brush on the background. For many of the photos I have used the adjustment brush with decreased exposure and clarity and brushed over the background. This works well for complex scenes, but can look messy on bright white sky’s, however that’s what the grad filter is for.
I Feather, Flow, density and auto mask have taken me quite a while to get used to. Feather is useful for brushing around the outside of a subject as a harsh boundary with no feather creates the halo. I tend to use auto mask in conjunction with the grad filter, and use it as an eraser inside a subject so the filter doesn’t effect them. Density gives me more control of the affect – so a burn of -.3 can be toned down using the density slider and this decreases the incidence of “brush strokes” on light areas.
Airbrushing – using spot heal for blemishes, adjusting saturation, temp and tint on lips, eyes (am amazed at how you can bring out the colour of eyes) and skin. Whites adjustment for eyes. Increase exposure for deep-set eyes or eyes in shadow. Decrease highlights and whites for reflections on glasses. I am also going to change my Lightroon and Photoshop background to white. The sites I use have white backgrounds and the tone appears different to my eyes on a black background than it does on white.
Big skin tip – don’t do a global increase of contrast, it changes the skin colour. I have found that the best results came from a typical ‘S’ tone curve, but with darks at no more than 10% and then increase the mid-tones and bring up the shadows.