I approached Jessa Fairbrother via email in order to receive feedback/advice about how best to keep the reverse of my embroidered photography tidy.
Although she didn’t give direct guidance, she did say that I was clearly doing things ‘right’ and that we all sew differently, and my development would come with time and exparience.
Part of me feels child-like by asking for direction, as though I can’t stand on my own two feet. However, the reality is that I wish to be an exhibiting photographer, and I will benefit from seeking and accepting the critique of others.
Fig. 1. Minor Constellation 1; 2018
Jessa Fairbrother sews on top of photographs to use “the body-as-site to explore communal meanings and is concerned with making explicit the moment when performed gesture and gaze of the viewer collide.” (Fairbrother; 2019). She uses needlework as exploration and reclamation of her body.
Figure 1 Fairbrother, J; 2018; Minor Constellation I [Silver Gelatin Print and hand sewn tbread]; AT: https://thephotographersgallery.org.uk/print-sales/explore-artworks/minor-constellation-i-2018
Fairbrother, J; 2019; About/Contact; Online: AT: http://www.jessafairbrother.com/about.html