Brief:- You may think conceptual art has to be motivated by a cerebral idea, but often it’s not. It’s more to do with hunches and entering a process where you don’t really know what the outcome will be and you take photographs that attempt to document that process. For example, what would it be like to spend a week living on a boat? What would it be like to dress differently and out of character? Such ‘ideas’ are not necessarily ‘visual’ but the clearly have visual potential. They also bring up notions that you may not have thought about when approaching a photographic project: what ‘home’ and ‘appearances’ mean.
Maria Kapejeva, One Month. Maria Kapejeva’s diptych above shows two portraits of the same person; the first was taken on the subjects arrival in India, and the second was taken a month later. What do these say about the country’s influence on this young man? Maria Kapejeva based her work on a concept about change over time. The young man appears to have been influenced by his time in india – as if he has matured. It’s very subtle, but you register the change in his clothes, facial expression and posture.
Umm – bollocks. Such a weak example of concept in photography. He may have travelled with those clothes, we all sit differently many times each day, and a suntan alters the appearance of our skin. Yes he may have been influenced by his time in India, in fact it is highly probable that he has, but this diptych is a very poor way of highlighting any possible influences. To infer that it does is misguided. I’m feeling let down by this shoddy example.
Sarah has explored the concept of ageing and dying with photography from the natural world in Autumn, and her process involved exploring the photos with people who have life limiting conditions. This is how to explore conceptual ideas witb photography