Project 3 – Learning From Other Photographers

Brief:- Research point – Self reflection – Requirement Most visual artists learn from one another. Both historic and contemporary photographers and visual artists can teach you new things and by learning from them you can bring something new to the subject. So how do you learn from other photographers? There’s a tradition of ‘after’ painting, where an artist copies a master’s work – but in his own style rather than theirs. Pablo Picasso often did this for inspiration. Édouard Manet’s Olympia is slightly different in that it’s a critical response to Alexandre Cabanel’s The Birth of Venus and other such romantic and idealised nudes. Cubism’s visual experimentation was influenced by the work of Paul Cézanne, who had a ‘blocky’ style of painting in daubs of paint. Hannah Starkey’s photographs are clearly influenced by Jeff Wall’s tableau pictures without ever being copies. So really you take from the artist anything that interests you: the arrangement of characters in a scene, the pose of a figure, the way light and dark interact, the type of subject matter, the mixing of media, the visual strategy, etc… Research point – Self reflection – Throughout this course you’ve been introduced to the work of different photographers to help give you an understanding of the creative potential of photography. Now it’s time to question your own work and identify anything you think is lacking. You don’t have to be over-critical, just honest. Write down any areas in photography you need to develop. (Your tutor reports should give you some clues here.) Write what sort of photographs you want to take. Just note down keywords. Now look through a book like Hacking, J. (2012) Photography: The Whole Story, or Cotton, C. (2014) The Photograph as Contemporary Art (3rd edition) (both London: Thames & Hudson) and try to identify some photographers who have exactly the key elements that you want to attain or just things that interest you. It doesn’t matter if the photographer is contemporary or historic. Make a note of these key elements. Now research these photographers online and choose one key photograph to use in the next exercise.

There’s one area which glaringly stands out for me to work on. Lighting. Making use of lights to create an atmosphere, using spots, using ambient lighting or controlling background light, I need to develop these techniques. My tutor has recommended observing light in indoor settings and then trying to recreate it at home.

Now that I have a speedlight I am making slow inroads into understanding flash photography, and that’s going to be an ongoing process.

cof

Mixed media art is also a growing interest. It’s something that’s been developing over the period that I’ve been studying. Exercise 3.5 Photography from text (here) was a good introduction. I’m part of an OCA collaboration group and have enjoyed collaborating with other artists. Toxic Shame (here) provided me with the opportunity to write and narrate prose as part of a collaborative project. People with Autism co-authored Autism: Out Of The Box (here) with me, a project in which I wrote the essay and encouraged the co-authors to produce accompanying photography or art for the essay.

A woman with autism is currently writing her story, and my role will be to support her to make photography which will accompany her writing. This is a role I wish to develop. The OCA collaboration group is on-going, and I have had initial contact with an artist in Australia who may wish to collaborate with me.

I’m very pleased to be studying Experimentation:- Still Life, which is part 4 of Foundations in Photography. This part of the course has opened up my creative potential. I made a sensory collage, just for fun, out of materials left over from the emulation exercise. Photomontage, collage and sensory collage all give me the opportunity to practice with lighting.

Lighting is the way forward. When I return from my travels I will look through my many books to find find photographers who inspire me, and who make creative use of lighting. I will then create some emulation based upon their work.

The piece I produced to emulate Laura Letinsky will be added next week when I return home.cof

The End Of The Pagan/Celtic Year – My Review Of The Past 12 Months And Goals For The Year Ahead

When I’m in tune spiritually at the end of the pagan year, I like to reflect upon the past year and say thanks for it. I also consider the year ahead.

The start of the new year as winter sets in makes sense. Traditionally winter would be the end of the life cycle for many people. Even now winter is a time of increased death rates for the elderly and vulnerable. The new year was a spiritual occasion in which prayers would be asked for protection over the winter months. It was also believed that the half way points of the spring and autumn (equinox), was when the barrier between the physical world and the underworld was at its weakest. A time when spirits could cross over and would take the weakest. During the middle ages and up to the Victorian era, communities would gather, light bonfires, celebrate and also cross dress . Men would dress as women and vice versa, in order to confuse the spirits and thereby preserve their life for the year ahead.

Today i took the opportunity for prayer and reflection whist I was walking between Redcar and Maske By The Sea. I have a lot to be grateful for this year. I have some wonderful friends, who have been part of my life for many years, I am developing deeper friendships with my peers, and I’m also developing friendships and a supportive community on WordPress.

IMG_20181031_163245.jpg

I got accepted into university – I’m glad I deferred it because I would have been to Ill to attend anyway. My tutor has given me some ideas which organisations that I can approach with a view to an exhibition of my photographic body of work about eating disorders. She values the personal integrity of my photography, and this was also stated in my interview with the University for the Creative Arts. I’m beginning to get a feel for the kind of photography that I want to make, the photography for relaxation and fun – and events. I really enjoyed the narrative of A Hermits Journey (here). Technically I’m improving as well, especially in Photoshop, although I do need to stop and consider which is the easiest approach to bring the quality that I desire. I need to read more books on photography as well. When reviewing the work of other photographers, finding a balance between books and internet resources is critical.

I’m  also enjoying the creativity of mixed media art, and I’m loving being part of the OCA collaboration group. I don’t make photographs for that. I’m using it as an opportunity to explore written and spoken word.

One of the highlights of my year was the photomontage I created using street art (here). It was wonderful to gain consent to use music by DJ’s from Mars. Approaching established artists with a view to making use of their work is new to me, and feels like a huge leap forward.oznor

It’s also a pleasure to witness the development and progress of my peers. We all have different skills, preferences and unique styles of the photography and it’s been a privilege to view. I’ve been able to try techniques that I wouldn’t have considered if I hadn’t seen their work. We all comment upon each others work, and this has been a vital part of my progression. I still find it hard to critique the work of my peers, although it is getting easier.

One particular photo produced by @andykabi on Instagram – touched that place of shame, persecution, unworthiness and vulnerability within me. It’s the most I’ve been affected by a photograph. Andy was kind enough to send me a signed copy. I get it back from the picture framers tomorrow.

As for my WordPress buddies, I’m touched by your honesty, integrity and support. You are so compassionate and have so much wisdom, which you share on your blogs and in comments.

Cork and london have presented me with opportunities to explore the unfamiliar. I love London, my holiday and time there were incredible. Sadly, I became very ill and had to return home. However, I’m trying to arrange a home-swap so that I can live in London. One of my main motivators is to become involved in a dynamic, vibrant and creative community. I was fortunate enough to meet two of my OCA friends whilst in London, but was too I’ll to meet two others as planned.

Now is the time to move, and to build a face to face community. Am I ready to start meeting up with people? Yes I am. It will be beneficial in so many ways, and one of those is in relation to my mental health.

Anorexia has taken it’s toll on my body and mind. The possibility of dying from anorexia was never going to be a motivating factor to change. However, my illness affected my photography and that was enough for me to seek and utilise supoort so that I can recover. Photography is saving my life for the second time. My passion for photography is intense. The more I make photos, watch the photography of others, and study photography – the more I fall in love with it. The more I have to give and the more I have to receive. Now that I’m in early recovery from anorexia and eating regularly, my ability to go back out with my camera has returned. The process of forming and developing creative ideas is such and pleasure, to be coming up with new idead again is wonderful. This is enough motivator for me to eat and continue with my recovery.

Occasionally I write photo essays, which have all been published in The Sociological Mail. Shaneka kindly publishes my writing, and I’d like to produce more articles over the next 12 months. Shaneka is always on the lookout for contributors, and I believe that she would appreciate the services of someone who can help with site maintenance and communicating with the feature writers.

My hopes and goals for the year ahead are :-

  • Move to London, Guildford or Farnham
  • Complete Foundations in Photography
  • Start a degree in photography with either the OCA or UCA
  • Exhibit my eating disorders body of work
  • Stay in recovery from anorexia
  • Develop the friendships I have
  • Develop new face to face friendships
  • Explore mixed media art
  • Assisted/guided photography/portraits for those who want to add photos in with their writing
  • Get involved with creatives in London
  • Travel to India
  • Write 7 photo essays
  • Write more poetry
  • Deepen my spirituality
  • Come to trust that the universe wants what’s best for me
  • Take a street photography workshop
  • Meet up with fellow students
  • Attend OCATV
  • Find some good birdwatching spots and go birdwatching monthly.
  • Find a photographer to get to know.
  • Eat no more and no less than what’s on my plan
  • Meditate every day
  • Attend yoga classes
  • Finish my model
  • Create a folder for competition stand photos
  • Read part of a photography book each morning

Photography Study Update

Recently I have been very kindly and generously given a speedlight, for which I am most grateful. I’m waiting until the gels and remote trigger which I have ordered for it to arrive, and then I will begin exercise 4.2.

Exercise 4.2 requires us to make use of any space with which we have access to for a few days, to add flat surfaces, and then objects, to create a space which only exists within the boundaries of the photo.

My space is going to be my lounge ceiling. I have paper, material and objects, which can pin too and hang from the ceiling. It’s a space which I intend to make more use of as the still life coursework proceeds. Seeing the photography of Laura Letinsky has been the trigger that my imagination has required to find some enthusiasm for this section.

We’ve also been asked to consider visual effect by exploring photographic effect, by making photos of things that have meaning for us. Well, as I’m slowly making these photos I’m realising that meaning and effect are personal and subjective. Yes, there are photographic techniques (composition, lighting, placement, colour, distraction), which positively or negatively impact upon presentation and reading of a photo, but photography, as with all art, is a subjective experience.

I am going to be working a little out of order at the moment. My health has been poor and rather than lag behind I will work on what I feel able when I feel able.

Here’s are some pigs. Pigs are a the spirit animal for abundance, the universe always provides what I need, and the many pigs around my house are a reminder.

A photo of my pigging cup

A photo of my pigging pigs

A photo of my pigging ornament
edf

 

Formal Tutor Feedback For Assignment Three – A Staged photograph

I would like to just say thank you to my tutor Jayne Taylor for her support, guidance and encouragement. I very much appreciate your input.

I have previously reflected upon the feedback which I received during a telephone conversation with Jayne (seen here).

The written feedback that Jayne has provided is a PDF which can be seen here. I am going to reflect upon the written feedback, but with preparing for my holiday, and having two more posts that I wish to make before I set of on my adventures, then I will further reflections until I have returned home.

Deferring University – Preperation For Part Four, Still Life – Prep For London

Having been unable to find appropriate accommodation in the locale of Farnham I have deferred university until next year. A lot can happen in a year, so I am open-minded. I’m going to keep looking for a home swap, but I’m also happy to finish Foundations in Photography and then make a decision as to whether to take the photography degree with the Open College of the Arts, which is distant learning, or go to the University for the Creative Arts. There are advantages to both, but with my mental health as it is, then taking the degree with OCA has become my preferred option. Distant learning suits me, I can study part-time, have less pressure with deadlines, and not have the stress of moving. These are all protective factors for my mental health.

cofIs this still life?

I am shortly going to begin part four of Foundations in Photography, which is a section based upon still life. With the new medication that I am on and how it is affecting my energy, I decided not to begin part four until I return from London. However, I have been exploring thoughts, and making photos for my digital sketch book, which I hope to upload before I travel. We’ll wait and see. My aim is to read part four in the FiP manual, so that I can make the most of being in a new, dynamic environment, and begin to make photos, or at least test photos for the coursework whilst I am away.

IMG_20180805_101352.jpgIs this still life?

London, here I come. I am very excited about visiting London. My initial plan was for it to be for a few days. But I haven’t been too London as an adult. Yeah I have passed through it, and been to two football matches there, but I have never explored. I have activities planned, a few people to meet and an OCA study visit/field trip.

cofIs this still life?

Lots of wonderful opportunities for photography in different environments and with several genres, as well as museum and gallery visits, West End shows, football match, and nature. Lots and lots of nature, animals, birds, flowers, macro. I have Lightroom on my laptop now, so I may upload some photos as I go along, although my lap top is incredibly slow compared to my PC with its huge RAM.

cofIs this still life?

Consequently I am not going to be able to keep up with everyone’s blogs anywhere near as much as I would like to, but normal service will be resumed upon my return.

Motivation/Medication/Anorexia – The Authenticity Of Photography -photography As An Act Of Violence – The Ownership Of A photo

  • My motivation has dropped
  • New medication is impacting upon motivation
  • Anorexia is now affecting energy and motivation
  • Making this and the last post has taken me several days to get motivated to produce.
  • Photography was originally understood as being a means of authentically documenting reality
  • This view reinforced by Barthes in Camera Lucida – photographing “what was there”
  • Photo Journalism and documentary photography are meant to be factual and not misleading.
  • My view “as photographers we always mislead and never represent the external authentically”
  • My view “as photographers we spend more time excluding the distraction of what was there”
  • My view “our photography is shaped by our life experiences, psychology and ideology”
  • My view “our personality influences exactly what we choose to exclude from any photo we make”
  • My view has been reinforced by reading Photography A Critical Introduction by Liz Wells
  • Liz Wells highlights the photo “Migrant Mother” by Dorathea Lange
  • “Migrant Mother” is shown next to the other four photos Lange took of the mother and her children that day. It’s clear why Lange chose this as her final selection.
  • The context added by the other photos would have eliminated the emotional impact.
  • This is photographers manipulation of fact in order to present a moral viewpoint.
  • Editor’s, curators and accompanying text bastardise this “authenticity” further.
  • Ariella Azoulay adds to this by demonstrating how the Israeli National newspapers use photography unrelated to the story to reinforce an anti Palestinian Agenda.
  • In The Civil Contract of Photography Azoulay posits the idea that no one has authorship/ownership of a photo, as the subject, photographer and viewer all bring their own unique understanding and agenda to the photo
  • Kathryn Ryan (Canadian comedian) stated during her interview by John Bishop (John Bishop In Conversation With) that her daughter is a unique individual and as her mother she has no right to publish photos of her daughter.
  • She doesn’t own her daughter and has no ownership of her image
  • To do so would be an act of aggression as there is no consent.
  • This view is supported by Susan Sontag “On Photography” and Ariella Azoulay.
  • Hearing Kathryn Ryan was the first time this viewpoint made any sense to me.
  • In other contexts to commit an act upon another person without their consent would be illegal.
  • Asking permission to take a photo, even using a model release form can never be informed consent as we no longer know where a photo will be reproduced or end up.

Its been useful to solidify these ideas that have been floating around my psyche, it’s not to say that I agree with them all, and even where I do I think there has to be a loud call for balance. The views I’ve highlighted are valid, but where do we draw the line? There are legal lines of course, and I believe there are humanitarian lines. Governments often break these humanitarian lines for the purposes of propaganda (it’s happened in the UK in relation to “illegal” immigrants (no human is illegal!!!)). However, as photographers we can only do what feels right to us, and that’s different for us all.

Interestingly, as I have experimented with street photography I have become more comfortable with others taking my photo whilst out and about.

I have way to many books to read.

cof

Tale From De Cameron – The Conversation

During the Foundations in Photography coursework we were asked to review The Conversation by Michael Buhler Rose, which was from his theme Creating the Exotic (please excuse my lack of academic referencing, I’m tired, unmotivated, and feeling adding something to my learning log is better than nothing). Buhler Roses’ photo is below.

the-conversation-alahua-fl-2006

I’m aware that we all draw our inspiration from the world around us, and I’m begging to think that Buhler Rose may have drawn his from John William Waterhouse. Waterhouse made several paintings which included people, in groups, conversing, wearing bright colours. The Enchanted Garden is a good example, as is Tales From Dr Cameron (below).

800px-Waterhouse_decameron

I certainly have no recollection of Buhler Rose discussing his inspiration or the works of his or others that he had built upon, and I can now see why our tutors ask us to do this. Doing so helps me to become more definitive in my photographic profile and signature and becomes a cornerstone of continued professional development.

I saw the Waterhouse painting on a UK TV program called University Challenge and I instantly thought of The Conversation

Self Portrait Cartoons -New Medication And Motivation – Getting The Most From The Olympus OMD EM 1 MK ii

Please click on any photo for a full size image

Self Portrait Charicature
A self-portrait caricature, using the built-in graffiti edit on the Huawei P10

As many of you are aware, I struggle with self-image. However, I wanted to produce some self portraits get used to me being in front of the lens. So I have been making some self portraits over the past week, which I have overpainted using the edit and graffiti tools built into the Huawei P 10. Here are some of the photos that I’ve recently made. Some of these I have posted before and others are new photos, I’m enjoying this so much that I’m going to continue making self portraits in this style.

Self Portrait Charicature
A self-portrait caricature, using the built-in graffiti edit on the Huawei P10

On Monday I started some new medication to reduce the symptoms of post-traumatic stress disorder. The side effects are making me quite sleepy, and this is impacting upon my motivation and ability to complete the tasks that I wish to. I am aware that these side effects will pass within a week or two, so I’m just doing little bits and pieces as and when I can for now.

Self Portrait Charicature
A self-portrait charicature, using the built in graffiti edit on the Huawei P10

My two recent trips to the Farnborough airshow and RSPB Bempton Cliffs have been a wonderful opportunity for me to get to know my new Olympus OMD EM1 MKii. One of my favourite features is the built-in image stabilisation. Although the EM1 has five axis stabilisation you can alter the settings for this.

Self Portrait Caricature
A self-portrait caricature, using the built in graffiti edit on the Huawei P10

Photographing aeroplanes means that I needed to plan along the horizontal plane. The EM1 has the ability to alter the image stabilisation from five axis to either vertical stabilisation or horizontal stabilisation. Because I was panning along the horizontal plane I altered the image stabilisation to vertical. Why is this necessary? If you have the settings for five axis the cameras inbuilt artificial intelligence will try to stabilise the image which interferes with auto focus when planning. Setting the image stabilisation on the vertical plane stops the AI from trying to correct stabilisation when on the horizontal.

Self Portrait Charicature
A self-portrait caricature, using the built-in graffiti edit on the Huawei P10

The continuous autofocus was wonderful for shooting both fast-moving aeroplanes and slower moving propeller driven aircraft.  I was photographing using burst mode and it took time to get used to releasing the shutter and then pressing half down again to refocus.

Self Portrait Charicature
A self-portrait caricature, using the built-in graffiti edit on the Huawei P10

The continuous autofocus is very quick to respond and this is incredibly useful when photographing moving subjects. Combining this with burst mode and far shutter speed made it possible to make some wonderful photos. When photographing small and fast-moving subjects, such as the birds at RSPB Bempton Cliffs, using the burst rate of 15 frames per second is ideal although, it was too fast for me to control the shutter and take a single photo. Photographing larger subjects which are also fast-moving, such as the aircraft at Farnborough airshow, 10 frames per second is more than adequate, and even whilst in burst mode I had enough control to take a single photo.

Self Portrait Charicature
A self-portrait caricature, using the built-in graffiti edit on the Huawei P10

The OMD EM1 MKii has some wonderful features such as being able to set up all of the cameras buttons for different purposes, which makes the process of changing settings very quick and very easy.

Self Portrait Charicature
A self-portrait caricature, using the built-in graffiti edit on the Huawei P10

When I attended Armed Forces Day in Scarborough, I shot the flying displays in shutter priority and trusted the cameras AI to make the rest of the judgements to set the exposure. I didn’t check the exposure as I was shooting, and underexposed many photos, so much so that when trying to develop them in Adobe Photoshop Lightroom, increasing the exposure created an image which had so much noise that it was unusable. So whilst photographing the aircraft at Farnborough airshow I shot in manual mode and exposed for the underside of the aircraft where the shadow is more intense. This has meant that the sky is overexposed, which is very easy to correct in Lightroom, and the aircraft correctly exposed.

Self Portrait Charicature
A self-portrait caricature, using the built-in graffiti edit on the Huawei P10

Photographing a RSPB Bempton Cliffs and Farnborough airshow has been a lot of fun for me, and I have really enjoyed myself. I am in the process of evaluating the photos from Farnborough airshow. I took way too many photos over the three days of the air displasy but I have got many great photos. I have no idea how long it will take me to evaluate and develop these, I will post some as soon as I can.

Self Portrait Charicature
A self-portrait caricature, using the built-in graffiti edit on the Huawei P10

My knowledge of the OMD EM1 MK ii will develop over time, there are so many more features that I look forward to getting to learn. So far I am very impressed with the camera’s capabilities and very happy that I converted all of my cameras over to the Olympus micro 4/3 set up.

Self Portrait Charicature
A self-portrait caricature, using the built-in graffiti edit on the Huawei P10

My plan was to attend Sunderland airshow this weekend, but adjusting to this new medication means that the kindest thing that I can do for myself is to stay at home and relax.

Have a wonderful weekend and I hope you enjoy my self portraits.

Olympus OMD EM1 MK ii – Personal Photo Projects – Making Photo’s That I know I Wont Keep

This is a photo of an Olympus OMD EM1 MK ii
This is a photo of an Olympus OMD EM1 MK ii
(Click on photo for a full size image) My latest purchase.

Having recently received a small amount of compensation I have bought an Olympus OMD EM 1 mk ii. YouTube is a wonderful place to watch tutorials so that I can get to know the camera and how to set it up. Having to camera’s means that I can choose and attach the lens at home for each camera, and hopefully not have to make any changes whilst out. This will reduce the likelihood of getting dust on the sensor. It also means that I have quick options whilst on a shoot. This will be useful at Farnborough airshow, where I want a wide-angle lens for the static aircraft and telephoto for those in the air.

Having a break from my studies until after Farnborough has been wonderful. It has meant that I have caught up with so much of my personal photography projects. I have been able to complete much of my eating disorders photography, although I have no idea how I am going to shoot for PICA or orthorexia, these are also eating disorders, but I trust my creative process.

Naturally I have been walking around with my camera strapped around my neck. It would be wrong not to right? I have been walking around the same places that I have taken many photo’s previously, as I haven’t had the opportunity to travel this past week. I was fully aware that the majority of photo’s that I was taken would be deleted, so why do it?

Photography is about observation, learning to see and gaining understanding of light conditions, and for me it’s mindfulness. If my camera is in my hand I walk slowly, I look around for opportunities to explore composition, to find something new, to spot a bug or a butterfly and to exploit light and tone. This is all good practice and makes me more intuitive as a photographer. Mostly though I love photography.

Reflections Upon My Latest Anorexia Photo – Exercise 3.4 – Documenting Change – Learning Log

Today has seen me complete a composite photo which I have worked on over the past few months (sen here). It was a project that I had begun a while ago, and then exercise 3.4 of Foundations in Photography required us to create a series of photo’s to document change, which I completed according to the brief. However, I also felt that I could use my anorexia project to document change in one photo.

I created a draft of the project and then sought feedback from my peers (seen here), which was very helpful. I have taken this into consideration since the draft photo, but the most helpful feedback that I received was from a peer who sent me a personal e-mail, and this has had the biggest impact upon my re-working of the photo. Thankyou Sarah.

The photo has many layers which include differing sizes of clothing, which progressively become smaller, all of which were photographed individually, parts of the body and the headstone background.

Sarah suggested that I change the emphasis of the head so that eye was prominent, because of its haunted and piercing gaze. So I erased the other elements of the face, and following comments about different parts of the body I have re-shot them this week.

There were times during which I over complicated things in Photoshop especially with using the background eraser. Overtime I have learned that as I had shot each part separately, I could return to the original photo, layer from background, and use the eraser rather than background eraser. This ensured there were no half erased areas, which looked untidy on my working PSD (the clothing photo has evidence of some partially erased areas). The eraser was better than selection tool – delete, because the selection tool was leaving tatty edges in areas where the tone was similar with the background. Again I have improved this with the photo’s that I made this week by shooting the subject upon a white background. This meant the selection tool became an effective method of getting rid of the unwanted parts of the photo’s.

On of the most tricky aspects has been lining up limbs so that they fit into the shape of the clothing, but I feel that I have got this right today by making use of the transform – warp/perspective tools.

(transform – warp – perspective have been applied)

Overall I am pleased with the result of this photo. I have achieved what I set out to achieve, showing the downward spiral of anorexia and change in body shape, but also I have managed to capture some emotion within the eye, as well as sadness I detect some fear as well. With the figure floating upon the tombstone in an ethereal manner, and the fading of the limbs, sinking into the clothing, then moving towards death becomes apparent.

When I create photography such as this I like to carry a message of hope, which comes in the form of the text which is found underneath the photo. Help is available, recovery is possible.