Open Art Collective At Lightbox Woking

Life has got away with me and I find myself writing up my review two weeks late.

It was a pleasure to walk into an exhibition and be able to identify 3 of the photographers by their photography. However, I am going to focus on two pieces that stimulated me, one mentally and one emotionally.

What I find most interesting is that I took the exhibition in over three stages. A brief initial viewing, a more in-depth reflective episode, and a third viewing so I could sit with my grief.

Keith Greenough’s exhibit was of a series of pairs of portraits. There were two photos of each model, There was a time difference of 45 seconds between the first and second portrait. I kinda ignored this series on my first viewing, but my god it drew me in second time around. The photos were almost identical, but then I began to see very slight changes of expression. A slight glint in an eye, a minor movement in the lips. It’s incredible how tiny movements of a muscle can alter expression, emotion and mood. I became fascinated by the models, what they may have been thinking or feeling, and considered how we are in a continuous state of flux. All of these minor waves of energy change the nature of who we are in any given moment. I don’t notice most of these subtle shifts. I define myself as being……. But in reality I cannot know all of the intricacies and inflections of my being. The passage of our lives are defined by the passing of seconds and minutes.

Teresa Lanham’s photography was an expression and journey through her experiences of grief, using macro photography of flowers. She says “The work became a way of re approaching my own life in standing still more often and just see what is there now rather than focusing on an unknown future.”

After my second viewing I went for lunch, and unexpectantly started to cry. Teresa’s photography triggered memories of a period of grief. When I grieve I have a need for space, I become overwhelmed by people, and I vanish fir days. I go to a certain place to reconnect with nature. It becomes a space that can contain my pain. Thank so much Teresa, I healed a little more.

To find out more about the Open Art Collective please visit their website here.

 

Kate Aston – Review

OCA student Kate Aston, very kindly sent me two of her photos, from a previous assignment, in which she embroidered over photography. Both of which are of a climbing wall.

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  • Long stitches
  • Creates a shape which I can anthropomorpise
  • Creates an anchor and relay
  • Alters perspective
  • Reduces appearance of size

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  • Small stitches
  • Single colour
  • Provide definition and detail

Although I’m limiting my focus to the stitching, as this is research for my assignment, I do wish to pass comment upon this second photo.

The depth of field is incredible, and this draws me right into the photo. The DoF is so narrow that I imagine that an extension tube was used on a 200mm- 300mm lens to create a macro lens. I’m also going to assume that the shot is made on the ground, shooting high up into a join between wall and ceiling, and that the plans have been shifted by rotating and cropping during the development process. I’m probably wrong. But this photo is so intriguing. It’s also very easing aesthetically.

Having seen this work I have decided to use the embroidery from Kate’s first photo to provide the relay between my face and the subject in Laura Letinsky’s photo. I hadn’t considered creating an installation prior to viewing Kate’s assignment. This is the advantage of connecting with fellow artists and photographers.

To see Kate Aston’s Context and Narrative studies click here, to view her on Instagram it’s kate513940

Moving Home – Which Degree?

I’m excited, I’m focused, and occasionally a little anxious.

Although I don’t have a moving date as yet, it’s likely that I will be moving at the end of the month. I’m excited that I want to begin having contact with people, especially my peers and others in the creative community. Opportunity beckons.

It’s also getting close to a cut off point for deciding which course to study. Do I continue studying with the Open College of the Arts, or with the University for the Creative Arts. I’m very suited to distance learning, and I know that studying with the OCA provides me with as much opportunity as I wish to develop creatively, and flexibly. I’ve pulled off a coup by connecting with Laura Letinsky, and this tells me that I can create my own opportunities by studying this way. I value the tutors and the course material.

Studying with the UCA will give me access to a dark room, a vast library and work placements, as well as the opportunity to collaborate with other students in other fields. But… I’m getting these opportunities with OCA students, and as an undergraduate I can access any university library.

When I put it in black and white like this I can see that I have a preference. Next week I will speak with student services at the Open College of the Arts, and then meditate before making a decision.

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Crystalising Ideas For Assignment Five

  • Installation
  • Photo of my face, over-sewn to represent emotional/mental states of anorexia
  • Positioned 90 degrees to photo from Laura Letinsky
  • Stitch on Laura Letinsky’s photos to pick out detail
  • 1 inch in front of Letinsky’s photo will be plain card of same size
  • Cut out shapes so aspects of Lentinsky’s work can be revealed and others remain hidden
  • Revealed areas will be related to food or eating
  • An object from Lentinsky’s art will be placed between the two photos i.e. Cup, plate, squashed water melon
  • Long stitches to go from my face over to the revealed areas in Letinsky’s photo (in the style of Kate Aston (review to be written up shortly). This will further emphasise emotional state.
  • Sound recording which emulates specific thought patter relating to each of my mental/emotional states
  • There will be six states represented so I will use six self portraits and six of Laura Lentinsky’s.

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Review – Maurizio Anzeri

Maurizio Anzeri (1969)

Wow.

714x480x2Fig. 1. Bernard (left) and Georgio (right)

Some of the most complex embroidery on photography that I’ve seen, I can’t help but admire the attention to detail and complexity.

  • Colour can be used to highlight character, as can shape
  • Bernard has some smooth, peaceful joy to counter elements of mania, business and disjointed thought
  • Georgio is serious, effeminate, passionate and positive

434x576x2Fig. 2. Louise B

  • Louise is complex
  • Ritualistic
  • Likes order
  • Dark
  • Deep
  • Sees everything
  • An active intelligent mind
  • Outwardly feminine but internally rigid

415x576x2Fig. 3. Nadia

I find this to be a deeply emotional and sad photo. There is pain etched upon her face through the burgundy’s that permeate the gentleness and light of the pinks and whites. Those downward looking eyes with the black embroidery which follows her gaze, suggests a deep sense of sadness and loss.

412x576x2Fig. 4. Peter

Perhaps a person with no sense of identity who lives in a complex state of psychotic delusion. He has a brain which is set to combust and explode, with an overload of neural connections. But also an introvert and unable to express his ideas.

Reflections

Embroidering on top of a portrait can add a depth of characterisation. This can be done by using colour and shape, and with the right level of technical expertise, an artist can bring out different aspects of an individuals personality.

Anzeri’s art is phenomenal and he is a technical expert. I’m going to have to rewatch the following you tube tutorial to gain some tips.

Illustrations

Figure 1 Anzeri, M; Bernard and Georgio [thread on photograph]; AT: https://www.lomography.com/magazine/91702-maurizio-anzeris-embroidered-photography (accessed on 30/12/2018)

Figure 2 Anzeri, M; Louise B [thread on photograph]; AT: https://www.lomography.com/magazine/91702-maurizio-anzeris-embroidered-photography (accessed on 30/12/2018)

Figure 3 Anzeri, M; Nadia [thread on photograph]; AT: https://www.lomography.com/magazine/91702-maurizio-anzeris-embroidered-photography (accessed on 30/12/2018)

Figure 4 Anzeri, M; Peter [thread on photograph]; AT: https://www.lomography.com/magazine/91702-maurizio-anzeris-embroidered-photography (accessed on 30/12/2018)

Mental Health Professionals Stigmatize People With Mental Illness

Sadly there is a host of peer-reviewed research which highlight the reality that mental health professionals stigmatise people with mental health problems.

Although this is a disturbing finding, being on the receiving end of it is far worse. I have experienced this as an inpatient, as an outpatient and also in general.

I’m aware of these attitudes, but today I perceived stigmatisation by a former mental health professional. Yes some of my photography is disturbing, yes I’m aware of this, but do I have to hide my lived reality, whether past or present, so as not to offend you? No! My lived experience is real, and as a visual artist I will retain my authenticity, even if you believe it to be attention seeking. It isn’t, but to describe it so only increases the social exclusion that exacerbates mental health problems in the first place.

At some point in the future I will write a photo essay which explores stigmatisation by mental health care and general health care professionals.

https://www.ncbi.nlm.nih.gov/m/pubmed/16445483/

https://academic.oup.com/schizophreniabulletin/article/32/4/709/1934707

https://journals.sagepub.com/doi/full/10.1177/0840470416679413

Assignment 5 – Why Embroider Over Photographs?

Coming to the end of Foundations In Photography with the Open College of the Arts, I find myself in a position in which I want to prepare myself to study for a BA in Photography. Assignment 4 can definitely be the basis for a further body of work, probably by using masks or embroidering on top of photographs to represent aspects of self, especially those hidden repressed aspects. Sewing over the top of my own face was successful, if painful for me to view.

I have thoroughly enjoyed Staged photography and still life, and found a means of being authentic with these genres.

I’m very keen to explore these themes further, and I believe that sewing on a photograph provides an additional means to enhance or hide emotion and mood. It also means that I can distort my images and create harmonious fine art photography or to create visual and emotional discord and discomfort.

I’m going to use assignment 5 as a stepping stone to develop a secondary skill, and so that I can use photos as the basis of mixed media art.

Review – Jamie Rawlings

Jamie embroiders over the top of appropriated images and cigarette cards. He is a visual artist and is inspired by nature and rainbows (Rawlings; 2018)

Rawlings uses bright colour and a variety of patterns. He doesn’t make use of the variety of stitches that Puentes does, but his patterns can be very intricate.

rs=w_600,h_600Fig. 1. Sable Antelope (2018)

Cigarette cards are small, which adds to the admiration that I have for his creative expression. I struggle sewing onto a large photo, and found that the stitches often tore the paper. I could be wrong, but I believe that Rawlings makes use of a hole punch. If I decide to emulate Laura Letinsky, it would make sense to combine this emulation with that of Rawlings. The simple lines would be effective.

I recommend viewing Rawlings’ Wold Animal cigarette cards. I feel that the embroidery is complimentary, despite the bright coloured threads. You can view his art on Instagram here. 

Illustration

Rawlings, J; 2018; Sable Antelope [Cigarette Card and thread]; AT: https://jamierawlingsartist.com/shop-1?olsPage=products%2Fsable-antelope (accessed on 21/12/2018)

Reference

Rawlings, J; 2018; About Me; Online: AT: https://jamierawlingsartist.com/about-me (accessed on 21/12/2018)

Review – Maria Aparicio Puentes – Research For Assignment 5

I have now made the decision that I am going to embroider on photography for assignment 5. I’m not yet sure if I will work with emotional expression or something in the style of Laura Letinsky. Whatever I choose, I am looking forward to sewing over photo’s.

Maria Aparicio Puentes (1981)

  • Puentes “hand-stitches over images. She works closely with the existing structure of the photographs, overlaying geometric shapes with thread.” (Frankoski, 2015)
  • She uses a wide variety of stitches
  • She mostly embroiders over black and white photo’s, adding the dimensions of colour and texture
  • Some of her stitching is complimentary to the photography
  • Some are quite garish and out of place
  • She collaborates with other artists and photographers

Be-brilliant-05_2xFig. 1. Be Brilliant 05 (2014)

This photo conjures up two ideas to me. One is of a person who is both singing and plucking music out of the air. It has a beautiful, sensual nature, and represents a positive, joyful connection with the universe.

The other thought is around bulimia. Of a person expressing the high of vomiting. Bulimia may sound quite disgusting if you are not bulimic, but for many who are it can bring relief and sometimes joy, especially in the earlier period of the illness. There is potential for me to use this style.

M.-Aparicio-Puentes-Sasha-MademuaselleFig. 2. 01

The above collaboration works well. It’s crisp, simple and the three pastel colours make the art very natural. It’s so subtle that the stitching could quite easily have been on the jumper itself

Illustrations

Fig. 1. Puentes, M, A and Wierzbowski, L; 2014; Be Brilliant 05 [photographic paper (semi-matte finish) and threads]; AT: https://www.mariaapariciopuentes.com/Be-brilliant (accessed on 21/12/2018)

Fig. 2. Puentes, M, A and Mademuaselle, S; ; 01 [photographic paper (semi-matte finish) and threads]; AT: https://www.mariaapariciopuentes.com/01 (accessed on 21/12/2018)

Feature Image Puentes, M, A and Radičević, T; 2014; Be Brilliant 02 [photographic paper (semi-matte finish) and threads]; AT: https://www.mariaapariciopuentes.com/Be-brilliant (accessed on 21/12/2018)

 

References

Frankoski, E; 2015; Maria Aparicio Puentes; Online: At: https://www.pifmagazine.com/2015/07/maria-aparicio-puentes/ (accessed on 21/12/2018)

Also viewed

https://www.frankie.com.au/blogs/art/artist-interview-maria-aparicio-puentes-photo-embroidery (accessed on 21/12/18)

http://www.escapeintolife.com/artist-watch/maria-aparicio-puentes/ (accessed on 21/12/2018)