Progress, I feel like I am getting somewhere. Making the collages has been fun, and once I have finished these I will need to create voice recordings for each, and buy the props that will complete the installations. It’s very exciting that I can now see how this will work. The only perceived difficulty is that the final pieces will not show off their full effect as a photo on my blog.
Step 1, making holes
Step 2, stitching
Step 3, taping the reverse side
Step 4, cutting out objects and positioning
Step 5, making more holes and more stitching
Step 6, a finished collage
Step 7, but matching props and photograph them as a still life in front of the collage
Step 8, make voice recording
Step 9, add voice recordings to each collage
Yesterday I got 12 photos off to the picture framers for mounting. He understood where I needed the cut outs and why, and took an interest in my art. After speaking with him I felt really secure in the knowledge that he got what I needed.
I have begun the embroidery today. I’m starting with those I will be using for six collages, in which excerpts from Laura Letinsky’s I’ll Form And Void Full will be embroidered onto my face. I’m excited. I also know how I’m going to make the animal masks for my primary version.
Richard and Action Man would like to wish you a happy and creative new year, and year ahead.
The stitching will be done in a manner that uses shape and colour to emphasise the emotional expression.
OK, so this is not the greatest idea of a sampler, but it’s been good practice to try out different stitch samples for my fifth assignment. The majority of the artists who stitch over photography tend to use a long stitch, rather than different styles of stitching. And hey, their work is fantastic, so maybe the idea is to keep it simple. However, I like chain stitch and diagonal tent stitch – and I can see how they can be used, and perhaps cross stitch would be good over eyes.