“However you choose to approach this assignment, it should communicate something about you: your interests, motivations, and your ambitions for your photography. Think of it as a way to introduce yourself to your tutor. There’s no ‘right’ or ‘wrong’ way to respond to this brief, as long as you try to push yourself out of your comfort zone in terms of subject matter; try out new approaches rather than sticking to what you think you’re most successful at.” (Enoch; 2017)
Sociology, People, Inequality, Diversity, Events, Macro, Transcendence, Buddhism, Colour, Sweets, Flowers, Birds, Digital Developing, Films, Meditation, Routine
Out of Comfort Zone/Dislikes
Landscape, Tourism, Being out at night, Conflict, Talking to people, Black and white/Monochrome photography, Carrying a tripod, Exercise, Enclosed Spaces, Crowds, Anxiety
1) Taking photos in a city that is familiar to me and looking for things I havent seen before. Leaving envelopes where I take photos with a request “I am a photography student and am exploring the idea of ‘things we overlook’. Would you be so kind as to have a look around and taking a photo, right where you are standing, of something that you havent noticed before. You can email it to me at…. My only requirements, for reasons of ethics and consent are that you must be over 18, if you are not then please ask an adult to take the photo and send it to me. The photo cannot be of an individual or a group of individuals with them as the main focus, but a general street photo with people in it is acceptable. Many thanks”
This idea is one of collaboratively exploring a familiar place with different perspectives. What do we overlook because of familiarity? Do my ideas of a place prevent me from seeing what is there?
2) Exploring the use of text and captions to add narrative. I follow other OCA students blogs, and a recent entry from Emma Pocock’s Landscape Blog. Emma is studying Landscape as a module of the BA (Hons) Photography with the Open College of the Arts. Exercise 2.5 is an exploration fo text in Art. After completing the exercise she says:-
“Although this isn’t a form of art I think I am cut out to make in its pure form, I am definitely going to try harder to jot down words which convey my thoughts and feelings when I start my walks for my assignment. The tiny glimmers of something interesting in the work above is enough to show me that there is merit in trying this out, either with a view to using the words alongside the images or just to trigger new ideas about how to visually represent the way I experience the journey.” (Pockock; 2017)
Along with the inspiration from Pocock’s blog, I have recently reviewed photography by Chloe Dewe-Matthews and an image by Walker Evans. The introduction to Dewe-Matthews “Shot at Dawn” and the title and date of Evans “Graveyard and Steel Mill in Bethlehem, Pennsylvania have helped me to see the importance of text, captions and introductions, and the consideration of what style of text is best with a series or narrative. However I like the idea that Pocock used of writing notes as she walked around, and I could explore this technique as a way of exploring myself and my thoughts and feelings whilst I am photographically exploring the Square Mile. Present the idea as a photo book series with the photo on one page and text on the other.
3) Going to tourist attractions and taking photos in the style of John Hinde, following my recent review of his photography. I don’t find myself attracted to the photography that he made and neither do I enjoy tourist photography. However I found myself to be impressed with his development of his images and, what at the time was, pushing the boundaries with colour photography. Residents in tourist towns often have a negative view of tourists. I could go to popular tourist attractions and take postcard style photos of them and develop them in the style of Hinde, either through digital manipulation or over painting in the style of Gerhard Richter. If I were then to speak with tourists and locals and ask their opinion of the town or attraction and its tourists, I could use these with the images. It would be good to produce these a postcards with the tourists comment on the back, as if they were sending a postcard home, but with the quote from the person who lives near the attraction on the front.
I believe that conceptually idea 3 is the strongest from a conceptual viewpoint. I like the juxtaposition of a tourist postcard and a locals view of tourists. I remember someone from Filey referring to the tourists as “Comforts” meaning “Come for T’ day” as a derogatory statement. Tourism is a great source of local income and also disruption. This idea would also push me with regard to technical ability with regard to landscape photography, how to use space, or control space to tell a story, and with developing photographs. There is an emotional challenge as well. Being in busy, populous and confined spaces with people is something that provokes anxiety within me.
Any feedback on the strengths of the above ideas would be appreciated.
Enoch, R; 2017; Foundations in Photography; Barnsley; Open College of the Arts
Pocock, E; 2017; Exercise 2.5: Text in Art; Online at https://wordpress.com/read/feeds/63756241/posts/1538253432 (accessed on 01/08/2017)
Keys, R; 2017; Review of “Shot at Dawn” Chloe Dewe-Matthews; Online at https://photosociology.wordpress.com/2017/07/26/review-of-shot-at-dawn-chloe-dewe-matthews/ (accessed on 01/08/2017)
Keys, R; 2017; Review of “A Graceyard and Steel Mill in Bethlehem, Pennsylvania” by Walker Evans; Online at https://photosociology.wordpress.com/2017/07/23/review-of-a-graveyard-and-steel-mill-in-bethlehem-pennsylvania-by-walker-evans/ (accessed on 01/08/2017)
Keys, R; 2017; Review – John Wilfred Hinde; Online at https://photosociology.wordpress.com/2017/07/30/review-john-wilfred-hinde/ (accessed on 01/08/2017)
Richter, G; 2016; Gerhard Richter (online gallery); Online at https://www.gerhard-richter.com/en/ (accessed on 01/08/2017)