More Masks And Embroidery

Yesterday I had some free time to have a look around the Wellcome Collection. Most interesting was the one mask/collage which included some sewing over the top of photography. Produced by Heidi Kerrison, her collage related to fears in relation to cloning and genetic modification.

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Her work demonstrates that I could use both collage and embroidery to create the effects that I am looking for. I quite like the stitching around the edge of the face, it’s complex and detailed, but I don’t like the sewing around the eyes.

There were other masks which I found interesting, especially the scolds brindle. I could embroider a mask in this style, and add the tongue piece. It would work well to highlight the element of self punishment and restraint that I experienced as a result of my anorexia.

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Masks – Inspiration From The British Museum

With signing my new tenancy today meaning that I’m in London, I planned a gentle day at the British Museum.

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My project for assignment 5 is using self portrait and embroidery to explore the emotional States of anorexia. I visited the British Museum as a means of having a gentle day after signing my tenancy. I travel back tomorrow and then move here on Friday. Yay.

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It quickly became apparent that the museum has a collection of masks in most of the cultural zones. Masks being an important element of many traditional and indigenous cultures, religions and traditions. As I will be embroidering onto my self portraits for this assignment, then I see that I am creating masks.

I felt particularly drawn to shamanic cultures that use icons depicting animal spirits. Some cultures use masks to reveal hidden aspects of personality, rather than to hide them. This feels particularly pertinent to me in my process of recovering from my eating disorder.

Hidden or suppressed aspects of my character being revealed to aid me in my recovery, now that makes sense to me. Animals are important to me as spirit guides, and I’ve previously blogged about my connection with pigs, and their spiritual representation of abundance. I feel drawn to kingfishers, which to me represent both protection and rage. These are helpful and unhelpful aspects of personality. Kingfishers will fight other kingfishers to death to protect their territory. That fits in with my portrait depicting rage. Some native American cultures consider the rattlesnake (utsonati) to be a potent medicine spirit, which fits in with recover. This would work well with pride, my sixth self-portrait.

Today I’ve also considered that I could make a plaster cast of my face, and then use the decoupage technique to blend my portraits with Letinsky’s photography to add a different dimension to the work I am producing.

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My tutor recently gave me some feedback, suggesting that I be open-minded to the organic evolution of my ideas. Today’s trip to the British Museum has done just that. Is anyone up for making plaster casts of my face? I can’t remember when I last got plastered!