I Woke The Old Man Up Early

After drinking lots of water yesterday and sleeping during the day, I didn’t need much sleep last night. I woke Richard up at 4.30 and headed straight to the city, via St Paul’s Cathedral.

IMG_20180817_060930.jpg(I’m back to being the star today.)

From St Paul’s it’s just a short walk to the millennium bridge, which provided me with the opportunity for a few more poses. Richard hates being photographed but I love it.

IMG_20180817_093225.jpg(Millennium Bridge, River Thames, Tate Modern)

IMG_20180817_092256.jpg(River Thames, The Shard, a glimpse of Tower Bridge.)

Sometimes life just walks you into wonderful opportunities and experiences, and this morning has been serendipitous.

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As well as the dancer being photographed, a newly married couple were having their wedding photos made before the chaos of the daily grind.

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After a quick visit to Starbucks (I’m sticking to water), we meandered slowly to the Shard via Borough Market. I found it to be more appealing than the Old Spitalfields Market yesterday.

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The Shard viewing platform doesn’t open until ten, but Richard is meeting his friend Jonathan (going to Tate Modern) who also studies photography with the Open College of the Arts. We’ll go to the viewing platform afterwards and then Richard wants to go to Hobby Craft.

Self Portrait Cartoons -New Medication And Motivation – Getting The Most From The Olympus OMD EM 1 MK ii

Please click on any photo for a full size image

Self Portrait Charicature
A self-portrait caricature, using the built-in graffiti edit on the Huawei P10

As many of you are aware, I struggle with self-image. However, I wanted to produce some self portraits get used to me being in front of the lens. So I have been making some self portraits over the past week, which I have overpainted using the edit and graffiti tools built into the Huawei P 10. Here are some of the photos that I’ve recently made. Some of these I have posted before and others are new photos, I’m enjoying this so much that I’m going to continue making self portraits in this style.

Self Portrait Charicature
A self-portrait caricature, using the built-in graffiti edit on the Huawei P10

On Monday I started some new medication to reduce the symptoms of post-traumatic stress disorder. The side effects are making me quite sleepy, and this is impacting upon my motivation and ability to complete the tasks that I wish to. I am aware that these side effects will pass within a week or two, so I’m just doing little bits and pieces as and when I can for now.

Self Portrait Charicature
A self-portrait charicature, using the built in graffiti edit on the Huawei P10

My two recent trips to the Farnborough airshow and RSPB Bempton Cliffs have been a wonderful opportunity for me to get to know my new Olympus OMD EM1 MKii. One of my favourite features is the built-in image stabilisation. Although the EM1 has five axis stabilisation you can alter the settings for this.

Self Portrait Caricature
A self-portrait caricature, using the built in graffiti edit on the Huawei P10

Photographing aeroplanes means that I needed to plan along the horizontal plane. The EM1 has the ability to alter the image stabilisation from five axis to either vertical stabilisation or horizontal stabilisation. Because I was panning along the horizontal plane I altered the image stabilisation to vertical. Why is this necessary? If you have the settings for five axis the cameras inbuilt artificial intelligence will try to stabilise the image which interferes with auto focus when planning. Setting the image stabilisation on the vertical plane stops the AI from trying to correct stabilisation when on the horizontal.

Self Portrait Charicature
A self-portrait caricature, using the built-in graffiti edit on the Huawei P10

The continuous autofocus was wonderful for shooting both fast-moving aeroplanes and slower moving propeller driven aircraft.  I was photographing using burst mode and it took time to get used to releasing the shutter and then pressing half down again to refocus.

Self Portrait Charicature
A self-portrait caricature, using the built-in graffiti edit on the Huawei P10

The continuous autofocus is very quick to respond and this is incredibly useful when photographing moving subjects. Combining this with burst mode and far shutter speed made it possible to make some wonderful photos. When photographing small and fast-moving subjects, such as the birds at RSPB Bempton Cliffs, using the burst rate of 15 frames per second is ideal although, it was too fast for me to control the shutter and take a single photo. Photographing larger subjects which are also fast-moving, such as the aircraft at Farnborough airshow, 10 frames per second is more than adequate, and even whilst in burst mode I had enough control to take a single photo.

Self Portrait Charicature
A self-portrait caricature, using the built-in graffiti edit on the Huawei P10

The OMD EM1 MKii has some wonderful features such as being able to set up all of the cameras buttons for different purposes, which makes the process of changing settings very quick and very easy.

Self Portrait Charicature
A self-portrait caricature, using the built-in graffiti edit on the Huawei P10

When I attended Armed Forces Day in Scarborough, I shot the flying displays in shutter priority and trusted the cameras AI to make the rest of the judgements to set the exposure. I didn’t check the exposure as I was shooting, and underexposed many photos, so much so that when trying to develop them in Adobe Photoshop Lightroom, increasing the exposure created an image which had so much noise that it was unusable. So whilst photographing the aircraft at Farnborough airshow I shot in manual mode and exposed for the underside of the aircraft where the shadow is more intense. This has meant that the sky is overexposed, which is very easy to correct in Lightroom, and the aircraft correctly exposed.

Self Portrait Charicature
A self-portrait caricature, using the built-in graffiti edit on the Huawei P10

Photographing a RSPB Bempton Cliffs and Farnborough airshow has been a lot of fun for me, and I have really enjoyed myself. I am in the process of evaluating the photos from Farnborough airshow. I took way too many photos over the three days of the air displasy but I have got many great photos. I have no idea how long it will take me to evaluate and develop these, I will post some as soon as I can.

Self Portrait Charicature
A self-portrait caricature, using the built-in graffiti edit on the Huawei P10

My knowledge of the OMD EM1 MK ii will develop over time, there are so many more features that I look forward to getting to learn. So far I am very impressed with the camera’s capabilities and very happy that I converted all of my cameras over to the Olympus micro 4/3 set up.

Self Portrait Charicature
A self-portrait caricature, using the built-in graffiti edit on the Huawei P10

My plan was to attend Sunderland airshow this weekend, but adjusting to this new medication means that the kindest thing that I can do for myself is to stay at home and relax.

Have a wonderful weekend and I hope you enjoy my self portraits.

Street Photography At Farnborough Airshow

A street photo of a member of the public taken at Farnborough Airshow

For those of you who know me, you will understand that I struggle with street photography. It’s my least favourite genre, but as a photographer it’s important to push myself.

Here are a few photos from the previous couple of days. Click on any photo to see a full size image.

A street photo taken at Woking train station.
One of the station staff at Woking train Station.
A street photo taken at Woking train station.
A street photo of two passengers at Woking train station, taken as a reflection upon mirrored glass.
Street photo taken at Woking train station.
A street photo of two passengers sitting on a bench at Woking train station.
Street photo of a man on a bus.
A street photo taken on the Farnborough Airshow shuttle bus from Farnborough main train station.
This is a street photo of a member of the public taken at Farnborough Airshow.
Street photo of a member of the public with two people walking by, taken at Farnborough Airshow.
A street photo of three members of the public taken at Farnborough Airshow.
Street photo of three members of the public sitting under umbrellas at Farnborough Airshow.
A street photo of a member of the public taken at Farnborough Airshow
A street photo of a woman eating an ice cream, juxtaposed with an ice-cream van, taken at Farnborough Airshow.
Street photo of a man taking a photo of aircraft at Farnborough Airshow.
A street photo of a member of the public taking a photo of aircraft, taken at Farnborough Airshow.
A street photo of two men looking towards the camera.
Street photo of two men looking at an Antalov from the Ukrainian Airforce, although it looks as if they are looking at the camera.

Eyes

A peer on Foundations in Photography has commented that eye’s come up as a theme for me throughout my photography. I have cropped a few photos which had eye’s within them develop a test series to see if eyes have the potential to become a future project. It’s certainly something to bear in mind. If at some point I decide to take this further I will make new photos in which eyes are the point of focus.

A Big Thankyou To All Of My Followers

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Yesterday afternoon I had the 1,000th person follow my blog. Thank you so much for choosing to view my photography and read my posts. I’m just a guy with a camera, finding my way through the complexity of life, and as such I find it quite humbling that you want to share my journey.

I’m very grateful for your support.

Photography Competition

The Photo Sociology “I can do better than a Turner” Photography Award (see here to enter) has had its third entrance today (see here for the gallery). The competition is open to anyone over 18, it’s free to enter, and there is a £50 amazon voucher for first place, and £25 each for two runners-up (or the equivalent currency value of Nation were the winners reside). Why not pop over and enter the competition.

London

On the way home from my interview at the University for the Creative Arts in April, I had a few hours in London.

St Paul’s Cathedral and Millenium Bridge

London, April 2018

St Paul’s Cathedral

London, April 2018

Kings Cross Station

London, April 2018

Houses of Parliament

London, April 2018

The London Eye

London, April 2018

The women of world war II

London, April 2018

Field Marshal Earl Haig

London, April 2018

Horse Guard

London, April 2018

Nelson’s Column and Trafalgar Square

London, April 2018

St Pancras Station

London, April 2018

Review – Thomas Struth

Thomas Struth (b 1954)

For this review I have tried to find photos made by Struth that I haven’t seen reviewed by other Foundations in Photography students. This is so that I can keep my initial thoughts as my own. However I am going to start with one portrait that I have seen reviewed by others because it is highly relevent to exercise 3.10 A Formal Portrait.

The Late Giles Robertson (with Book), Edinburgh 1987 1987 by Thomas Struth born 1954Fig. 1. The Late Giles Robertson (with book) Edinburgh (1987)

Initial thoughts:- I like, grace, calm, dignity, poise. It captures thoughtfulness, contemplation, a good example of how to capture a still portrait with a busy background. This is done by making use of the space in the foreground, the thoughtful expression, the side lighting from the window, shot in daylight so the background remains subdued, small aperture, distance between subject and background. The ‘props’ do not appear to be staged, they are what Robertson has gathered over his lifetime, things he values, and maybe some things that he has inherited. A man who values ‘things’ because of their emotional connection to events and people, memories. Dressed quite formally, smoking jacket? tie, very natural in them, this is his style of dress, smart, traditional. He has a heritage that is upper-middle class? Upper class? Old money. Culture and art are valued, and the landscape appears to be Constable or Gainsborough but I cannot be sure of this.

There is symbolism in relation to the depiction of age, the old way, and possibly a representation that the traditional life and values are ageing and will soon be lost. But I believe that is a minor consideration and Robertson’s values and character are more important to both the subject and photographer.

 

Hannah Erdrich-Hartmann and Jana-Maria Hartmann, Düsseldorf 1987 1987 by Thomas Struth born 1954Fig. 2. Hannah Erdich-Hartman and Jana-Maria Hartman, Dusseldorf (1987)

Initial thoughts:- Mixed thoughts about this, soft focus and large aperture (maybe even a photographic background) create an image of love, tenderness and gentleness. The position of the girl’s arm around her mothers neck and Jana-Maria’s hair also add to that sense. Jana-Maria’s expression changes between warmth and a touch annoyed/questioning, and Hannah’s expression is almost a challenge to the photographer and viewer. Dianne Arbus often forced her subjects frustration by delaying pressing the shutter so that people would eventually let go of the mask the ywant to present so tha the real self was revealed. In this photo it appears that Struth has done the same. Although I don’t consider this to be a formal portrait, and there is a tension between flattering and challenging, I wanted to include this photo because it presents a challenge to me with regard to reading and understanding it. It’s also of a different style than the other images that I’m including in this review. I feel that I am walking away from this photo confused.

Kyoko and Tomoharu Murakami, Tokyo 1991 1991 by Thomas Struth born 1954Fig. 3. Kyoko and Tomoharu Murakami, Tokyo (1991)

Initial thoughts:- There is something about this particular photo that I find appealing, although I cannot put my finger on it, especially considering that I do not find emotion within the photo. There is a gulf between husband and wife, and I get the inkling that this was shot in a place of work, probably outside of the home due to the size. I am viewing this photo from and Western European background, and there maybe cultural differences and formalities that are hard for me to fully comprehend, and I say this in response to my perceived lack of emotion and a formality that borders on rigidity. I find the light very interesting. There is more than one window in this room, and it/they are large. I don’t see obvious signs of flash and the light coming through the window is bright daylight. The only apparent prop is the chair, so that the woman can sit down. The chair doesn’t fit in with the desk/work bench. On second thoughts there is a space on this side of the bench that would give her space to work whilst having the direct light from the window. The combination of vertical/horizontal and diagonal lines may symbolise structure, a structured and organised lifestyle reflective of the wider community?

 

The Shimada Family, Yamaguchi, Japan 1986 1986 by Thomas Struth born 1954Fig. 4. The Shimada Family, Yamaguchi, Japan 1986

Initial thoughts:- Is this a formal or informal family portrait? Do I understand formal group portraits outside of a studio or wedding? Can a formal portrait include people in various degrees of relaxation and formality? Is this merely a reflection of the characters of people who are of different generations to each other?

I enjoy the composition of the family and the lines they are placed in take me backwards and forwards between the people. No one individual stands out and this means that the photo brings the family together as a group, a collective, despite the space between them. I’m quite impressed with that actually. My knowledge of group portraits is of the tradition British style of everyone being close together. This is a pleasing and comfortable photograph to look at, and I find the contrast between this grouping and the group photo’s that I am used to to be quite refreshing.

I also like the contrast between the grey rocks and green shrubs/bushes. A planned/formal/structured garden that represents prosperity. Although I say garden (and I mean the garden of the family’s home when I do), it could be a formal community garden/park/or visitor attraction. I am still more inclined to think that this is their garden and the live on the edge of the suburbs or a rural community (maybe I’m just and old romantic at heart).

The colours and tone of the clothing provide a contrast with the garden and this brings out the people as subject. The trees that form the background keep my eye within the photo and they act as a frame. No use of props, and none required.

Reflections

Four completely different styles of portrait from one photographer. Struth clearly is a people person and he either spends the time tgetting to know the people who he shoots so that he can bring out their personality, or he already knows them. Despite the styles being different between the four photo’s, the similarity is the capture of character. There are very few signs of props, and this is worth remembering, subtlety is paramount. Getting to know people is important as is liking people, in a general way. You may not necessarily like or know someone enough to like in order to make formal photographs, but there must be a genuine value of other. If portrait photography is undertaken without this then its going to come through and will over ride the  individuals character.

Clothing is important for two reasons, it signifies personality and individuality, and if the clothing is not what the subject is comfortable with then it will be hard for them to relax. This made me think of the photographer Rankin and his work with charities.

He uses a team of lighting, make-up, fashion, studio and design staff with clients who use of charities for support. He meets his clients in his studio on the day that he shoots them (sometimes over a couple of days). He brings out the best in these people, and some of whom really struggle with self-image and self esteem. In my opinion he is a genius and I envy and admire his sense of humour and the ability to create a strong rapport with people very quickly, in what is a very strange and difficult environment to be photographed in. Having a large range of clothing and accessories gives his clients the opportunity to look good and to find an outfit that they feel comfortable in, but his personality is the glue that brings the very best out of people. Maybe working with a background team ensures that he can spend his time creating a relationship with the person he is going to photograph.

Illustrations

Figure 1 Struth, T; 1987; The Late Giles Robertson (with book) Edinburgh [colour on paper]; AT: http://www.tate.org.uk/art/artworks/struth-the-late-giles-robertson-with-book-edinburgh-1987-p77746 (accessed on 24/05/2018)

Figure 2 Struth, T; 1987; Hannah Erdich-Hartman and Jana-Maria Hartman, Dusseldorf  [black and white on paper]; AT: http://www.tate.org.uk/art/artworks/struth-hannah-erdrich-hartmann-and-jana-maria-hartmann-dusseldorf-1987-p77747 (accessed on 24/05/2018)

Figure 3 Struth, T; 1991; Kyoko and Tomoharu Murakami, Tokyo [colour on paper]; AT: http://www.tate.org.uk/art/artworks/struth-kyoko-and-tomoharu-murakami-tokyo-1991-p77751 (accessed on 24/05/2018)

Figure 4 Struth, T; 1986; The Shimada Family, Yamaguchi, Japan [colour on paper]; AT: http://www.tate.org.uk/art/artworks/struth-the-shimada-family-yamaguchi-japan-1986-p77745 (accessed on 24/05/2018)

Feature Image Rankin; 2016; Here as I am (pic 20); AT: http://rankin.co.uk/portfolio-charities/#/pic20 (accessed on 24/05/2018)

References

Rankin; Online AT: http://rankin.co.uk/portfolio-charities/#/pic0 (accessed on 24/05/2018)