Assignment Five – The Process Of Making The Collages

Progress, I feel like I am getting somewhere. Making the collages has been fun, and once I have finished these I will need to create voice recordings for each, and buy the props that will complete the installations. It’s very exciting that I can now see how this will work. The only perceived difficulty is that the final pieces will not show off their full effect as a photo on my blog.

Step 1, making holes

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Step 2, stitching

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Step 3, taping the reverse side

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Step 4, cutting out objects and positioning

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Step 5, making more holes and more stitching

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Step 6, a finished collage

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Step 7, but matching props and photograph them as a still life in front of the collage

Step 8, make voice recording

Step 9, add voice recordings to each collage

My Emotional States Of Anorexia – Assignment Five Update

Yesterday I got 12 photos off to the picture framers for mounting. He understood where I needed the cut outs and why, and took an interest in my art. After speaking with him I felt really secure in the knowledge that he got what I needed.

I have begun the embroidery today. I’m starting with those I will be using for six collages, in which excerpts from Laura Letinsky’s I’ll Form And Void Full will be embroidered onto my face. I’m excited. I also know how I’m going to make the animal masks for my primary version.

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More Masks And Embroidery

Yesterday I had some free time to have a look around the Wellcome Collection. Most interesting was the one mask/collage which included some sewing over the top of photography. Produced by Heidi Kerrison, her collage related to fears in relation to cloning and genetic modification.

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Her work demonstrates that I could use both collage and embroidery to create the effects that I am looking for. I quite like the stitching around the edge of the face, it’s complex and detailed, but I don’t like the sewing around the eyes.

There were other masks which I found interesting, especially the scolds brindle. I could embroider a mask in this style, and add the tongue piece. It would work well to highlight the element of self punishment and restraint that I experienced as a result of my anorexia.

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Masks – Inspiration From The British Museum

With signing my new tenancy today meaning that I’m in London, I planned a gentle day at the British Museum.

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My project for assignment 5 is using self portrait and embroidery to explore the emotional States of anorexia. I visited the British Museum as a means of having a gentle day after signing my tenancy. I travel back tomorrow and then move here on Friday. Yay.

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It quickly became apparent that the museum has a collection of masks in most of the cultural zones. Masks being an important element of many traditional and indigenous cultures, religions and traditions. As I will be embroidering onto my self portraits for this assignment, then I see that I am creating masks.

I felt particularly drawn to shamanic cultures that use icons depicting animal spirits. Some cultures use masks to reveal hidden aspects of personality, rather than to hide them. This feels particularly pertinent to me in my process of recovering from my eating disorder.

Hidden or suppressed aspects of my character being revealed to aid me in my recovery, now that makes sense to me. Animals are important to me as spirit guides, and I’ve previously blogged about my connection with pigs, and their spiritual representation of abundance. I feel drawn to kingfishers, which to me represent both protection and rage. These are helpful and unhelpful aspects of personality. Kingfishers will fight other kingfishers to death to protect their territory. That fits in with my portrait depicting rage. Some native American cultures consider the rattlesnake (utsonati) to be a potent medicine spirit, which fits in with recover. This would work well with pride, my sixth self-portrait.

Today I’ve also considered that I could make a plaster cast of my face, and then use the decoupage technique to blend my portraits with Letinsky’s photography to add a different dimension to the work I am producing.

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My tutor recently gave me some feedback, suggesting that I be open-minded to the organic evolution of my ideas. Today’s trip to the British Museum has done just that. Is anyone up for making plaster casts of my face? I can’t remember when I last got plastered!

My Self Portraits Have Arrived

qrfMy self portraits have arrived, and you know what, I’m actually pleased with them. The expression has come out how I wanted (although I should have taken a higher resolution image for these photos).

There are three potential ways to create this assignment now. To present the full self portraits as they are, along with written and spoken word for each portrait, with the text relating to the represented emotional state.

qrfTo block out and reveal my eyes and face, and selected aspects of the Laura Letinsky photos, along with written and spoken word, and include a physical object similar to that revealed in Letinsky’s photo. This would then be an installation.

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Thirdly, to embroider over my portrait’s and the Letinsky photo’s. Use a similar object from the Letinsky photo’s to be placed between the portrait and her image, sew from the portrait to her picture to join the two together, and finish off with text to create an audio-visual installation.

I’m going to use all three methods as I printed 3 of each of Letinsky’s and my photos.

It’s great that I am pleased with my portraits. I really wasn’t expecting that. They are great photo’s and clearly represent the emotional States that I want them too. I have only revealed they eyes here, as they will be the revealed aspects in the second and third presentation. I know my tutor can only accept one version to review, which will be the embroidered version, but there’s no harm in trying all three ways.